In “The Left Hand of Darkness” by
Ursula K. Le Guin, many myths were inputted to foreshadow upcoming events or to
further our understanding on what is happening in the book. One of the first myths that were introduced was
one about two brothers who pledged kemmer to one another. They ended up wanting to vow kemmer to each
other, but in the Gethenian society they are not allowed to vow kemmer to their
siblings. This is looked down upon;
just like in our society marrying one’s sibling is wrong. That’s how I look at
this situation. One of the brothers
could not take away the shame that he felt and eventually committed
suicide. The other was exiled and went
into the “Place Inside the Blizzard,” which is where all souls go once they
commit suicide. He saw his brother that committed suicide and said their vow
was broken once he decided to take his life.
This myth foreshadows Estraven’s
vow with his brother during the kemmer cycle.
In one scene in the book Estraven tells Ashe, his former kemmer partner,
their vow wasn’t real because he’s already made a vow to his brother long
before. The story of the blizzard gives
us an explanation of how vowing to a sibling is seen in a bad manner and gives
the readers a sense of what Estraven may have gone through. All the myths thrown into the story may seem
irrelevant when the chapter is introduced, but it actually leads up to what is
going to happen next in the story. The
myths also reveal much about the Gethenian culture and how kemmering is
extremely important to them. I’m pretty
sure that “kemmer” is addressed in every chapter, revealing that kemmer is significant.
First, thank you for posting early because I used your post as a guideline to writing my blog. When I read the book, I didn't catch the part in which Estraven told Ashe about his former kemmer partner. Since I missed that, I didn't understand the purpose of The Place Inside the Blizzard. Now that I've read your blog, it made me realize the purpose of that chapter. The author leaves many hints to foreshadow upcoming events in the book. For me, this is the most fascinating thing about the book. Do you think this idea of kemmering has anything to do with the theme of this book? If so, how?
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